Zamna Soundsystem

Melodic Techno

HEADLINER

Born from the creative energy of the iconic Zamna Festival, Zamna Soundsystem is a dynamic electronic music collective with Italian and Maltese roots. The project functions as a flexible ensemble, featuring two or three members during performances to maintain adaptability across global stages. Their sound navigates the intersection of melodic techno and darker tech house, characterized by hypnotic rhythms, immersive synth layers, and a focus on long form storytelling. Notable releases include Universe with Korolova on Zamna Records and their contribution to the Road to Tulum compilation. By blending cinematic tension with dancefloor functionality, the collective serves as a primary sonic ambassador for the Zamna brand, bridging underground club culture with expansive festival experiences.

Jono Stephenson

Melodic Techno

South African producer Jono Stephenson crafts a sound rooted in emotive, melody-driven electronic music that bridges the gap between deep house and melodic techno. His production style emphasizes atmospheric textures, steady rhythmic propulsion, and cinematic arrangements designed for immersive club environments. Notable releases include his work on Impressum Recordings, where he has refined a signature aesthetic that balances introspection with dancefloor functionality. He maintains a consistent presence in international hubs like Amsterdam, New York City, and Los Angeles, often sharing lineups with established figures in the melodic scene. Stephenson stands out for his ability to weave complex, layered soundscapes that maintain a cohesive, narrative flow throughout his sets.

Miss Hazard

House

Based between Calgary and New York City, Miss Hazard crafts a sonic identity defined by spacey textures and intricate ethnic rhythms. Her production approach favors a fluid house foundation that avoids rigid genre constraints in favor of atmospheric depth. She maintains a consistent presence in North American club circuits, including notable appearances at venues like Dead Letter No. 9. Her work prioritizes creative exploration through layered percussion and immersive soundscapes. By resisting standard classification, she offers a distinct perspective that prioritizes mood and rhythmic texture over conventional club tropes.