Margaret Dygas

Minimal / Deep Tech

HEADLINER

Born in Poland and shaped by formative years in New York and London, Margaret Dygas established her artistic identity after relocating to Berlin in 2007. Her sound is defined by a sophisticated blend of deep, dub-influenced textures and a persistent, driving funk that bridges minimal techno and microhouse. She is a long-standing fixture of the Berlin electronic scene, holding a notable residency at Panorama Bar and maintaining close ties to the Perlon label. Her discography includes essential releases such as the Invisible Circles 12 inch on Perlon in 2009 and her debut album How Do You Do on Power Shovel Audio in 2010. Dygas remains an influential figure in underground dance music, consistently delivering sets that favor intricate, hypnotic narratives over conventional peak-time structures.

Greg Paulus

House

Greg Paulus is a trumpeter, producer, and DJ originating from Minnesota and now a central figure in Brooklyn, New York's electronic music landscape. His sound fluidly integrates house, soul, jazz, and hip-hop, often characterized by warm, expressive horn playing and a focus on melody and emotional depth. Paulus gained early recognition as one half of No Regular Play, releasing two LPs on Wolf + Lamb Records and touring extensively across fifty countries. He has also contributed trumpet to live ensembles for artists such as Beirut and Matthew Dear. His solo work includes the 2010 release "What's Mine Is Yours" on Double Standard Records and the recent 'Heat Makes Sense EP' on Freerange Records in 2023. Paulus maintains a weekly residency at La Mezcaleria Milagrosa in Brooklyn and has performed at venues like Green Room NYC and MAD Radio NYC in 2026. His ability to blend instrumental musicianship with diverse electronic forms establishes his distinct presence in contemporary dance music.

Jason Lindner

Electronic

Jason Lindner is a Brooklyn based keyboardist, composer, and producer whose work bridges the gap between improvisational jazz and experimental electronic music. He first gained prominence in the 1990s New York City jazz scene as a bandleader at Smalls Jazz Club, later achieving wider recognition for his synth work on David Bowie's final album, Blackstar. His primary electronic project, Now Vs Now, explores a fusion of IDM, funk, and progressive textures. Lindner frequently collaborates across the underground electronic and DJ communities, focusing on immersive sonic journeys that blend spontaneous improvisation with electronic production. His aesthetic is defined by a fearless approach to sound design, utilizing analog synthesizers to create expansive, genre blurring landscapes. Lindner remains a vital connector in the scene, consistently reconciling complex harmonic structures with groove oriented electronic music.