Horse Meat Disco

Disco

HEADLINER

Horse Meat Disco is a London-born DJ collective founded at The Eagle in Vauxhall in 2004, led by residents Luke Howard, Severino Panzetta, James Hillard and Jim Stanton. Rooted in queer club culture, their sets splice classic disco, italo and house with a jubilant, floor-focused energy. They released their debut album ‘Love and Dancing’ on Glitterbox/Defected, and continue to deliver high-impact remixes for artists like Jessie Ware. The crew hold long-running residencies in Berlin and New York while returning to their Sunday institution at The Eagle. A festival mainstay from Glastonbury to Boiler Room stages, HMD bring inclusive, hands-in-the-air euphoria wherever they play.

Nita Aviance

Electronic

Nita Aviance is a New York City-based DJ and producer, originally from Rochester, New York, who emerged from the city's vibrant 1990s ballroom and vogue scene as a member of the legendary House of Aviance. She is recognized for her genre-bending approach, fluidly incorporating house, techno, disco, and experimental electronic sounds into her sets. Aviance holds residencies at notable New York venues like WESTGAY and co-hosts a monthly queer party at Brooklyn's Good Room as one half of The Carry Nation, alongside Will Automagic. Their collaborative releases include "This Bitch Is Alive" and "House Like This" on Batty Bass, while Aviance has also delivered official remixes for artists such as Beyoncé and the Scissor Sisters. Her recent work includes a contribution to Chinotto Records' Tarocco Singles Club No. 7, continuing her influence on global queer dance floors.

Manu Miran

Techno

Venezuelan born and Brooklyn based, Manu Miran is a curator, producer, and DJ recognized for his role in shaping underground queer techno spaces. He founded the interdisciplinary platform VISCERAL in Cambridge, Massachusetts, which serves as a hub for forward thinking talent and promotes radical inclusivity for POC and LGBTQ+ communities. His DJ sets are characterized by a sweat soaked urgency, blending raw percussion, sensual synths, and conceptual electronic music that draws from the sonic lineages of New York, Berlin, and Detroit. Miran maintains a consistent presence at staple venues including Basement, Bossa Nova Civic Club, and Battle Hymn, while headlining major queer festivals such as Honcho Campout and Somos. By intersecting dance music with visual art and advocacy, Miran creates immersive, high energy environments that prioritize both physical release and social consciousness.